Cantitate/Preț
Produs

The Dance of Death

Autor Hans Holbein
en Limba Engleză Paperback – feb 2012
This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (2) 5909 lei  3-5 săpt. +785 lei  7-13 zile
  Penguin Books – 6 oct 2016 5909 lei  3-5 săpt. +785 lei  7-13 zile
  TREDITION CLASSICS – feb 2012 7379 lei  39-44 zile

Preț: 7379 lei

Puncte Express: 111

Preț estimativ în valută:
1414 1531$ 1212£

Carte tipărită la comandă

Livrare economică 06-11 mai

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783847230311
ISBN-10: 384723031X
Pagini: 124
Dimensiuni: 133 x 203 x 7 mm
Greutate: 0.15 kg
Editura: TREDITION CLASSICS

Notă biografică

Hans Holbein (Author)
Hans Holbein the Younger (1497-1543) was a Swiss and German artist renowned for his portraiture. As a young artist Holbein worked in Basel where he produced one of his well-known works The Dance of Death, a series of 41 wood cuttings on the medieval concept of the danse macabre. In 1526 Holbein travelled to England on Erasmus's recommendation and there he executed some of his most impressive works, such as his portrait of Sir Thomas More. He returned to England in 1532 at a time of political and religious turmoil under Henry VIII's reign and found favour with the Boleyn family and Thomas Cromwell, becoming the King's Painter in 1536. He died in London in 1543.


Recenzii

The underlying message of the series is, of course, that Death comes for us all, and if it interrupts the recreations of the wealthy rather more insolently than those of the poor, then let that be a lesson to us... Rublack's commentary is useful and illuminating, pointing out details, providing information about the time Holbein lived in, and even making a plausible case for her own views on Holbein's position on the reformation.