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David Copperfield: Penguin Clothbound Classics

Autor Charles Dickens
en Limba Engleză Hardback – mai 2014
Now a major film directed by Armando Iannucci, starring Dev Patel, Tilda Swinton, Hugh Laurie, Peter Capaldi and Ben Whishaw

Dickens's great coming-of-age novel, now in a beautiful clothbound Penguin edition

This is the novel Dickens regarded as his 'favourite child' and is considered his most autobiographical. As David recounts his experiences from childhood to the discovery of his vocation as a successful novelist, Dickens draws openly and revealingly on his own life. Among the gloriously vivid cast of characters are Rosa Dartle, Dora, Steerforth, and the 'umble Uriah Heep, along with Mr Micawber, a portrait of Dickens's own father which evokes a mixture of love, nostalgia and guilt.
Dickens's greatBildungsroman(based, in part, on his own boyhood) is a work filled with life, both comic and tragic.


Charles Dickens (1812-70) had his first, astounding success with his first novelThe Pickwick Papersand never looked back. In an extraordinarily full life he wrote, campaigned and spoke on a huge range of issues, and was involved in many of the key aspects of Victorian life, by turns cajoling, moving and irritating. He completed fourteen full-length novels and volume after volume of journalism. Of all his many works, he calledDavid Copperfieldhis 'favourite child'.
Jeremy Tambling is Professor of Literature at the University of Manchester.
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Specificații

ISBN-13: 9780141394640
ISBN-10: 0141394641
Pagini: 1024
Dimensiuni: 138 x 204 x 46 mm
Greutate: 0.89 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Clothbound Classics

Locul publicării:London, United Kingdom

Notă biografică

Charles Dickens (1812-70) had his first, astounding success with his first novelThe Pickwick Papersand never looked back. In an extraordinarily full life he wrote, campaigned and spoke on a huge range of issues, and was involved in many of the key aspects of Victorian life, by turns cajoling, moving and irritating. He completed fourteen full-length novels and volume after volume of journalism. Of all his many works, he calledDavid Copperfieldhis 'favourite child'.

Jeremy Tambling is Professor of Literature at the University of Manchester.

Recenzii

At a recent department meeting, it became evident that Dickens is an author who can divide a room. 'Let's teach some Dickens at key stage three,' some argued. 'I can't imagine anything worse,' others said. 'Too difficult', 'too wordy', 'enough to put anyone off'. 'But the stories are great,' I argued. It's easy to see both sides of the argument. As someone who has dipped in and out of Dickens over the years, I have always been delighted by the actual reading of the novel, but sometimes it has taken a considerable effort of will to start the thing. Many are long, all are complex, and there is some truth in the assertion that they are too difficult-not for all, certainly, but for some children at key stage three, Dickens could sound the death knell for reading pleasure. There is a case, then, for a differentiated Dickens, and here, as with other literary classics, Real Reads provides a helpful solution. The series currently includes nine of the major novels: Bleak House, A Christmas Carol, David Copperfield, Hard Times, Oliver Twist and Great Expectations, The Old Curiosity Shop, A Tale of Two Cities and Little Dorrit. All follow the same format-a couple of pages introducing the characters with some delightful illustrations by Karen Donnelly, forty-seven pages of narrative and a 'Taking Things Further' section at the back. Like other Real Reads, too, the novels are not designed to replace the originals, but to complement them. The publisher's hope is that for some readers, the Real Reads are a springboard into the original texts; for others it is to broaden their range of cultural experience and introduce them to a world of wonderful plots and characters. What makes these retellings particularly appealing from a classroom point of view is that significant attention is paid to the language use characteristic of the authors. The novels are retold with some integrity to the original-that is that some of the cadence of Dickens is retained; that some of the vocabulary remains authentic, and that some of those seminal passages remain relatively unaltered. Take the opening of A Tale of Two Cities as an example, 'It was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the season of wealth, it was the season of poverty. In short, it was a time very much like the present.' In short, it is very much like the original. The retellings go some way to preserving Dickens's characters and while there are of course casualties, the characters that remain are rounded and engaging. For Oliver we feel pity as he pleads with Sikes 'P-p-p-please don't make me steal,' in the face of Sikes terrifying whisper 'Quiet, vermin'. We long for Nancy to be saved by Mrs Maylie and feel the poignancy of her departure: 'You must take Oliver to safety. I must return to my life.' We sense the justice in Fagin's wait for death 'his face so distorted and pale, his eyes so bloodshot, that he already looked more dead than alive as he awaited his punishment.' Of course, we also feel the delight and relief as 'Oliver and Mr Brownlow walked hand in hand to their carriage.' Some of Dickens's humour is preserved: Mrs Joe is to be found bringing Pip up by hand and at the birth of David Copperfield, Peggotty's 'bosom swelled with such joy and pride that two buttons popped from her bodice and flew across the room.' The heartbreak remains too: 'As he wasted away over the next few days, Little Dorrit didn't leave her father's side. His spirit was like a maimed bird, able to think only of the place that had broken its wings. Finally, his spirit broke free of all earthly concerns. Little Dorrit wept bitterly. The 'Filling in the Spaces' section at the back of each book provides a helpful resource for teachers. Elements of the plot that have been omitted in order to contain the retelling in such a thin volume are listed here and can provide a useful point of departure to read some of the original text. There is some contextual material pertinent to the text, so for Little Dorrit we learn that Dickens's father was sent to Marshalsea Prison when Dickens was twelve and for Hard Times we can read about the rise of steam power and the way in which machinery in factories gave rise to mass migration to cities. There is also a two-page section called 'Food for thought' that provides points for discussion, themes, style and symbols and would neatly help shape classroom discussion and activity. In The Old Curiosity Shop, for example, 'Oscar Wilde said that Nell's death makes the reader laugh, whereas critics in Dickens' time were usually overcome by grief. Which is closer to your own reaction? Why?' would lend itself very well to paired, group or whole-class debate. Thinking about how the symbols of fog, hands, light and shadow and city and countryside match the action in Bleak House immediately suggests ways in which pupils might track language against action as they read. At the lower end of the price range for class readers, the excellent and durable quality of the books presents a good investment at GBP4.99 RRP for individual texts. -- Jane Campion Use of English

Descriere

Descriere de la o altă ediție sau format:
`I have in my heart of hearts a favourite child. And his name is DAVID COPPERFIELD,' wrote Dickens of what is the most personal, certainly one of the most popular, of all his novels. Dickens wrote the book after the completion of a fragment of autobiography recalling his employment as a child in a London warehouse, and in the first-person narrative, a new departure for him, realized marvellously the workings of memory. The embodiment of his boyhood experience in the novel involved a `complicated interweaving of truth and fiction', at its most subtle in the portrait of his father as Mr Micawber, one of Dickens's greatest comic creations. Enjoying a humour that never becomes caricature, the reader shares David's affection for the eccentric Betsey Trotwood and her protégé Mr Dick, and smiles with the narrator at the trials he endures in his love for the delightfully silly Dora. Settings, (East Anglia, the London of the 1820s), people, and events are unified by their relationship to the story of Steerforth's treachery, which reaches its powerful climax in the storm scene. This edition, which has the accurate Clarendon text, includes Dickens's trial titles and working notes, and eight of the original illustrations by `Phiz'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Caracteristici

Part of Alma's Evergreen series, David Copperfield is a great addition to our Charles Dickens collection.