Antigone (Dover Thrift Editions)
De (autor) Sophoclesen Limba Engleză Paperback – October 1993 – vârsta de la 14 ani
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Specificații
ISBN-13: 9780486278049
ISBN-10: 0486278042
Pagini: 64
Dimensiuni: 134 x 210 x 5 mm
Greutate: 0.06 kg
Ediția: Reprint
Editura: Dover Publications
Seria Dover Thrift Editions
Locul publicării: United States
ISBN-10: 0486278042
Pagini: 64
Dimensiuni: 134 x 210 x 5 mm
Greutate: 0.06 kg
Ediția: Reprint
Editura: Dover Publications
Seria Dover Thrift Editions
Locul publicării: United States
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Textul de pe ultima copertă
Filled with passionate speeches and sensitive probing of moral and philosophical issues, this powerful drama reveals the grim fate that befalls the children of Oedipus. When Antigone, the daughter of Oedipus, chooses to obey the law of the gods rather than an unconscionable command from Creon, ruler of Thebes, she is condemned to death. How the gods take their revenge on Creon provides the gripping denouement to this compelling tragedy, still one of the most frequently performed of classical Greek dramas. Footnotes.
Notă biografică
Roy
Williams,
OBE,
worked
as
an
actor
before
turning
to
writing
full-time
in
1990.
He
graduated
from
Rose
Bruford
in
1995
with
a
first
class
BA
Hons
degree
in
Writing
and
participated
in
the
1997
Carlton
Television
screenwriter's
course.
The
No
Boys
Cricket
Club
(1996)
won
him
nominations
for
the
TAPS
Writer
of
the
Year
Award
1996
and
for
New
Writer
of
the
Year
Award
1996
by
the
Writers'
Guild
of
Great
Britain.
He
was
the
first
recipient
of
the
Alfred
Fagon
Award
1997
for
Starstruck
(1998),
which
also
won
the
31st
John
Whiting
Award
and
the
EMMA
Award
1999.
Lift
Off
(1999)
was
the
joint-winner
of
the
George
Devine
Award
2000.
His
other
plays
include
Night
and
Day
(1996);
Josie's
Boys
(1996);
Souls
(1999);
Local
Boy
(2000);
The
Gift
(2000);
Clubland
(Royal
Court,
2001),
winner
of
the
Evening
Standard
Charles
Wintour
Award
for
the
Most
Promising
Playwright;
Fallout
(2003);
Sing
Yer
Heart
Out
for
the
Lads
(2002),
Little
Sweet
Thing
(2005),
Slow
Time
(2005),
Days
of
Significance
(2007),
Absolute
Beginners
(2007),
Joe
Guy
(2007),
Baby
Girl
(2007),
Out
of
the
Fog
(2007),
There's
Only
One
Wayne
Matthews
(2007),
Category
B
(2009),Sucker
Punch
(2010),
adaptation
of
The
Loneliness
of
the
Long-Distance
Runner
(2012),
Advice
for
the
Young
At
Heart
(2013)
and
Kingston
14
(2014).
He
was
awarded
the
OBE
for
Services
to
Drama
in
the
2008
Birthday
Honours
List.
Recenzii
Woodruff's
work
with
Peter
Meineck
makes
this
text
one
that
is
accessible
to
today's
students
and
could
be
staged
for
modern
audiences.
Line
notes
printed
at
the
bottom
of
the
page
bring
a
reader
further
quick
assistance.
.
.
.
The
choral
odes
as
rendered
here
deserve
special
notice.
After
giving
a
succinct
analysis
of
each
in
his
introduction,
Woodruff
translates
the
lyrics
into
English
that
is
both
poetic
and
comprehensible.
.
.
.
Woodruff's
rendering
of
the
dialogue
moves
along
easily;
these
are
lines
that
any
contemporary
Antigone,
Creon
or
Haemon
might
speak.
Antigone's
words
on
the
gods'
unwritten
laws
keep
close
to
the
Greek
and
yet
would
be
authentic
for
a
modern
speaker.
.
.
.
Woodruff's
introduction
is
a
strong,
clear,
and
clever
blend
of
basic
traditional
information
(to
those
who
know
Greek
tragedy)
and
fresh
insights.
.
.
.
Should
our
drama
department
ask
for
my
advice
as
to
a
playable
text,
I
would
certainly
suggest
Woodruff's
new
version.
--Karelisa
Hartigan,
The
Classical
Bulletin
A lucid, well-paced translation, natural enough sounding in the dialogue to make a good acting version, and remarkably successful in making the choruses clear, lyrical, and yet part of the dramatic movement. Woodruff's rendering of the choruses especially impresses me by the way he manages to render complex syntax and imagery of the original--often tangled and occasionally obscure in its allusiveness--into clear and genuinely poetic English. --Joseph Russo, Haverford College
When a play has been translated as many times as the Antigone, a new version has to have some remarkable qualities in order to merit attention. Happily, Woodruff's Antigone has just that. Most notably, his text is performable: when read aloud it displays real pace and force. . . . Of course, performability is often gained at the expense of what we might call 'faithfulness' to the original text--and in practical terms, this means that a performance translation rarely serves well as a teaching text. Woodruff, then, has pulled off a remarkable feat in that this edition will serve the teacher and student of Sophocles as well as it would the actor. The original line numbers are preserved and the text is seldom distorted: Woodruff is aware that the words used by Sophocles matter, and employs footnotes to good effect to explain points of linguistic and cultural interest in a concise and accessible way. The flavour of Sophocles' play is also preserved by the stage directions, which are envisaged in terms of the ancient rather than the modern stage. The choral odes--which are translated with particular clarity--are also marked and divided into strophes and antistrophes. What also sets the translation apart is the quality of the introduction and appendices, which are both well informed and address the reader in a direct way. Woodruff succeeds in being straightforward but not patronizing and whilst his target audience is presumably a student of A-level or university level, this edition would be a good starting point for any intelligent adult who wished to read the play. Woodruff frames scholarly debates in such a way as to invite reaction from the reader and to encourage informed debate. Notable, too, is that he strives to keep the text 'open': as well as presenting different scholarly views on the play, he even provides 'Endnotes' where he provides information on readings of the manuscripts, thus providing access to debates from which the student is normally excluded. As part of this project--and refreshingly in my view--he makes his own presence felt: he informs us as to his own views on the play and spells out his objectives as a translator, thus opening up yet another aspect of investigation and debate. This is a provocative edition of the Antigone , which fulfills many of its high ambitions. For me, the vibrancy of Woodruff's approach to the play shines through, giving us a text just waiting to be read aloud, discussed and debated. --James Robson, The Joint
A lucid, well-paced translation, natural enough sounding in the dialogue to make a good acting version, and remarkably successful in making the choruses clear, lyrical, and yet part of the dramatic movement. Woodruff's rendering of the choruses especially impresses me by the way he manages to render complex syntax and imagery of the original--often tangled and occasionally obscure in its allusiveness--into clear and genuinely poetic English. --Joseph Russo, Haverford College
When a play has been translated as many times as the Antigone, a new version has to have some remarkable qualities in order to merit attention. Happily, Woodruff's Antigone has just that. Most notably, his text is performable: when read aloud it displays real pace and force. . . . Of course, performability is often gained at the expense of what we might call 'faithfulness' to the original text--and in practical terms, this means that a performance translation rarely serves well as a teaching text. Woodruff, then, has pulled off a remarkable feat in that this edition will serve the teacher and student of Sophocles as well as it would the actor. The original line numbers are preserved and the text is seldom distorted: Woodruff is aware that the words used by Sophocles matter, and employs footnotes to good effect to explain points of linguistic and cultural interest in a concise and accessible way. The flavour of Sophocles' play is also preserved by the stage directions, which are envisaged in terms of the ancient rather than the modern stage. The choral odes--which are translated with particular clarity--are also marked and divided into strophes and antistrophes. What also sets the translation apart is the quality of the introduction and appendices, which are both well informed and address the reader in a direct way. Woodruff succeeds in being straightforward but not patronizing and whilst his target audience is presumably a student of A-level or university level, this edition would be a good starting point for any intelligent adult who wished to read the play. Woodruff frames scholarly debates in such a way as to invite reaction from the reader and to encourage informed debate. Notable, too, is that he strives to keep the text 'open': as well as presenting different scholarly views on the play, he even provides 'Endnotes' where he provides information on readings of the manuscripts, thus providing access to debates from which the student is normally excluded. As part of this project--and refreshingly in my view--he makes his own presence felt: he informs us as to his own views on the play and spells out his objectives as a translator, thus opening up yet another aspect of investigation and debate. This is a provocative edition of the Antigone , which fulfills many of its high ambitions. For me, the vibrancy of Woodruff's approach to the play shines through, giving us a text just waiting to be read aloud, discussed and debated. --James Robson, The Joint
Caracteristici
Roy
Williams
is
one
of
our
most
important
contemporary
dramatists,
with
a
particular
relevance
to,
and
popularity
among,
young
people.
He
has
won
numerous
awards
for
his
writing
and
enjoys
a
high
profile
as
his
plays
'more
than
anyone
else's,
have
brought
the
experience
of
black
urban
youth
onto
the
stage'
Observer
Cuprins
Preface
ix
Introduction
Antigone
1
Appendix
1.
Guide
to
Pronunciation
Appendix
2.
Synopses
of
the
Surviving
Accounts
of
Oedipus
and
His
Family
Suggestions
for
Further
Reading