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Adventures of Pinocchio

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How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child. Centuries ago there lived- "A king " my little readers will say immediately. No, children, you are mistaken. Once upon a time there was a piece of wood. It was not an expensive piece of wood. Far from it. Just a common block of firewood, one of those thick, solid logs that are put on the fire in winter to make cold rooms cozy and warm. I do not know how this really happened, yet the fact remains that one fine day this piece of wood found itself in the shop of an old carpenter. His real name was Mastro Antonio, but everyone called him Mastro Cherry, for the tip of his nose was so round and red and shiny that it looked like a ripe cherry. As soon as he saw that piece of wood, Mastro Cherry was filled with joy. Rubbing his hands together happily, he mumbled half to himself:
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Specificații

ISBN-13: 9781490559742
ISBN-10: 1490559744
Pagini: 86
Dimensiuni: 152 x 229 x 5 mm
Greutate: 0.13 kg
Editura: CREATESPACE

Recenzii

"Disney's sentimental depiction of Pinocchio bears little resemblance to Collodi's unscrupulous puppet. This new translation revives the sardonic wit and black humour of the original." --London Times

"Carlo Collodi's Pinocchio...is short on Disneyesque sentimentality (there is a talking cricket, but Pinocchio squashes him), long on satire and farce. Geoffrey Brock's superbly crafted translation and Umberto Eco's introduction bring to life this tale of gumption and greed." --O Magazine

"Geoffrey Brock's new English translation of the subversive parable revives Carlo Collodi's sardonic wit and pitch-black humor, while bringing to life the poverty, moral vacuity, and uncensored violence of late-19th-century Europe...Brock — known for his award-winning translations of authors such as Umberto Eco and Cesare Pavese — strips away the sentimental veneer to reveal the original haunting fairy tale. Readers will be familiar with many of the characters, as well as the story's major plot points, but this version thankfully bears little resemblance to most modern interpretations. Pinocchio may have cast off his own strings, but Brock beautifully restores the historical knot." --BoldType

Notă biografică

Carlo Collodi (1826–1890) was the pen name of Carlo Lorenzini. He was born in Florence, where his father served as the cook for a rich aristocratic family; his mother, though qualified as a schoolteacher, worked as a chambermaid for the same family. Lorenzini took the name Collodi from his mother’s hometown, where he was sent to attend school. A volunteer in the Tuscan army during the 1848 and 1860 Italian wars of independence, Collodi founded a satirical weekly, Il Lampione—which was suppressed for a time by the Grand Duke of Tuscany—and became known as the author of novels, plays, and political sketches. His translation from the French of Charles Perrault’s fairy tales came out in 1876, and in 1881 his Storia di un burratino (Story of a Puppet) was published in installments in the Giornale per i bambini, appearing two years later in book form as The Adventures of Pinocchio. Collodi, whose writings include several readers for schoolchildren, died in 1890, unaware of the vast international success that his creation Pinocchio would eventually enjoy.

Geoffrey Brock is the prizewinning translator of works by Cesare Pavese, Umberto Eco, Roberto Calasso, and others. He teaches creative writing and translation at the University of Arkansas. His Web site is www.geoffreybrock.com.

Umberto Eco is a professor of semiotics at the University of Bologna and the author of numerous novels and collections of essays, including The Name of the Rose, Foucault’s Pendulum, and most recently, Turning Back the Clock: Hot Wars and Media Populism.

Rebecca West is a professor of Italian and of cinema and media Studies at the University of Chicago. She is the author of Eugenio Montale: Poet on the Edge and Gianni Celati: The Craft of Everyday Storytelling, and is co-editor of The Cambridge Companion to Modern Italian Culture

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