Adrian Piper: Race, Gender, and Embodiment
Autor John Parish Bowlesen Limba Engleză Paperback – 14 feb 2011
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Specificații
ISBN-13: 9780822349204
ISBN-10: 0822349205
Pagini: 335
Ilustrații: 69 illustrations, incl. 17 in colour
Dimensiuni: 158 x 235 x 26 mm
Greutate: 0.64 kg
Editura: Duke University Press
ISBN-10: 0822349205
Pagini: 335
Ilustrații: 69 illustrations, incl. 17 in colour
Dimensiuni: 158 x 235 x 26 mm
Greutate: 0.64 kg
Editura: Duke University Press
Cuprins
Contents; Illustrations; Acknowledgments; Introduction: Adrian Pipers Performance of Race and the Moral Question of RacismSection I. 19651970: The Paradox of the Black Woman Conceptual Artist1. Contingent and Universal: Adrian Piper and the Minimalist Ideal; 2. Hypothesis: Modernism and the Woman Artists StudioSection II. 19701975: Personal Politics and Performance Art3. May 1970: Art and Activism; 4. Catalysis: Feminist Art and Experience; 5. Food for the Spirit: Transcendence and Desire; 6. Acting like a Man: The Mythic Being and Black Feminism; Conclusion: The Mythic Being and the Aesthetics of Direct Address; Bibliography
Recenzii
John P. Bowless Adrian Piper: Race, Gender, and Embodiment is a groundbreaking, meticulously researched and beautifully written text that challenges its readers to understand Adrian Pipers early work in provocative new ways. In doing so, Bowles forces us to re-evaluate our understanding of the histories of conceptualism, minimalism, feminism and their intersections with the visual practices of African American artists. Steven Nelson, University of California, Los AngelesAdrian Piper: Race, Gender, and Embodiment is an important book. John P. Bowles has much to say not only about Pipers own artistic journey, but also about how scholars have chosen to read the avant-garde creative production of the 1960s and 1970s, and whether or not one can ever escape the burden of the flesh when one creates or interprets works of art. Gwendolyn DuBois Shaw, author of Seeing the Unspeakable: The Art of Kara Walker
Notă biografică
John P. Bowles is Associate Professor of African American Art at the University of North Carolina, Chapel Hill. His articles and art criticism have appeared in "Signs," "American Art," "Art Journal," "Art in America," and "Art Papers," among other publications.
Descriere
An in-depth analysis of Adrian Piper's groundbreaking work