A Sound Mind: How I Fell in Love with Classical Music (and Decided to Rewrite its Entire History)
Autor Paul Morleyen Limba Engleză Paperback – oct 2020
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Specificații
ISBN-13: 9781408868768
ISBN-10: 1408868768
Pagini: 624
Dimensiuni: 153 x 234 x 50 mm
Greutate: 0.93 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:London, United Kingdom
ISBN-10: 1408868768
Pagini: 624
Dimensiuni: 153 x 234 x 50 mm
Greutate: 0.93 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Publishing
Locul publicării:London, United Kingdom
Caracteristici
Prominent
music
journalist,
author
and
talking
head
Paul
Morley
has
a
well-established
reputation
in
the
media
and
trade;
he
is
the
author
of
theSunday
Timesbestseller,The
Age
of
Bowie,and
was
part
of
the
team
that
curated
the
Victoria
and
Albert
Museum
exhibition
on
Bowie
Notă biografică
Writer,
critic
and
broadcaster
Paul
Morley
grew
up
in
Stockport.
He
was
a
founding
member
of
the
electronic
ensemble
Art
of
Noise,
collaborated
with
Grace
Jones
on
her
best-selling
memoirs
and
was
an
artistic
advisor
for
theDavid
Bowie
Isexhibition
at
the
V
&
A.
He
is
the
author
of
a
number
of
books
on
music
as
well
as
two
acclaimed
memoirs,NothingandThe
North.
Recenzii
An
alternately
funny
and
moving
book
about
the
most
important
art
form
on
Planet
Earth.
Destined
to
become
a
classic
(pun
intended)
An exhilarating shredding of received wisdom, provocatively casting pop music on the side of the stagnant and conservative - a bit last century - while stressing classical music's dynamic revolutionary potential . It's not the shtick of a down-with-the-kids music teacher, but a writer both in his element and out of it, thrilled at the possibility of new connections, excited to see if he can write about Stravinsky the way he would Hot Chip . Morley remains a brilliant conductor - of music, of ideas, of inexplicable flashes of lightning. He knows the score
In this boundary-pushing book, the music journalist charts his increasing immersion in classical music - not as a lurch towards "maturity", but a recognition of its revolutions and revelations. Tumbling together Beethoven and Buzzcocks, Lee "Scratch" Perry and Shostakovich, he also embeds a meditation on mortality and obsolescence in his orchestral manoeuvres
His passion for centuries of music - both celebrated and obscure - is infectious
An exhilarating shredding of received wisdom, provocatively casting pop music on the side of the stagnant and conservative - a bit last century - while stressing classical music's dynamic revolutionary potential . It's not the shtick of a down-with-the-kids music teacher, but a writer both in his element and out of it, thrilled at the possibility of new connections, excited to see if he can write about Stravinsky the way he would Hot Chip . Morley remains a brilliant conductor - of music, of ideas, of inexplicable flashes of lightning. He knows the score
In this boundary-pushing book, the music journalist charts his increasing immersion in classical music - not as a lurch towards "maturity", but a recognition of its revolutions and revelations. Tumbling together Beethoven and Buzzcocks, Lee "Scratch" Perry and Shostakovich, he also embeds a meditation on mortality and obsolescence in his orchestral manoeuvres
His passion for centuries of music - both celebrated and obscure - is infectious